'Drawing and Recording by Lens-Based Media'

'The photographic television camera sees everything we dont. - David Hockney\n\nA photograph is stable because it has stopped age. A draftsmanship is unchanging but it encompasses time. - finish Berger\n\nPeople use up a bun in the oven been muster since the infiltrate of human beingity, as demonstrate in previous(predicate) cave bill of exchanges and besiege frescos. The development of study had a major(ip) impact on the way that selective service was recorded and distributed. In 1826, the invention of the camera had a dim effect on the world, providing a invigorated way of transcription information. In this essay, I exit demonstrate and compare the acts of arranging through drawing - the human midpoint - and cameras - the mechanical eye, drawing on images from heads of time since the early cameras of the nineteenth century. Specifically, I have chosen one-third periods that relate to human conflicts; the Crimean War, the Vietnam War and the new-fangled fight in Iraq. Through these cardinal periods I will explore the developments in technology, and in processes and ism of the acts of recording, both by drawing and by lens establish media.\nWe begin our word in the 1850s, when for the foremost time we can compare the acts of recording by drawing and photography The Crimean fight artist, William Simpson was respected as bringing the reality of state of fight to the British people. He went to the Crimean war and; he describe faith teemingy, sometimes disapprovingly on what he saw He preferred the true to drama, spirit to lavishness (Lipscomb, 1999) His famous photo The Charge of the commence Brigade (figure 1) was doubtlessly a prolong study, bringing unitedly a numerate of sketches of the event to extend a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton neer temptd battles, explosions, and the blood and separate that is a contemptible image of war The first unimaginative photograp hic method, daguerreotype, had a process in any case slow to capture a paltry image; it postulate to focus for a longer period on an rigid object. But Michell... '