The Bicycle Thief & international ampere;#9; other bewitching example of neorealism is The Bicycle Thief (1948), written by Cesare Zavattini and direct by Vittorio De Sica. The narrative of this impression unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their chase for self-respect. It is a time of struggle for the Italian people, amplified by a shortage of employment and lack of social services. In the commencement scenes of the film, these conditions are evident as Antonio Ricci (Lamberto Maggiorami) meets his spouse maria (Lianalla Carell) on his way back home.
We see the "men" lean at the employment "office" as the "women" argue just about the shortage of water. Although the directors pessimism drives the plot, it is ultimately the clash with human optimism which gives this film affectional power. 	Antonios wise job can meet his family new hopes and happiness, which are drastically destroyed when his bi...If you want to swallow a full essay, order it on our website:
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