In numbers, many poets use prosody to generate their composing to life. rhythmic pattern is the pronunciation of a poem, and it usually includes elements such as sound, rhyme, attemptning rhyme, assonance, onomatopoeia, rhythm, stress, and meter. These effect can take poetry to a completely unlike level, beyond only imagery. In the poem, The Word Plum, by Helen Chasin, examples of initial rhyme and onomatopoeia are employ to bring her subject, a fairly, to life. In the prototypal line, Chasin begins with a very elemental description of the backchat plum: The word plum is sexually attractive. The interesting thing is, shes non even describing the fruit, but the word. The word delicious has an l, as does the word plum, and I see this pisss a harmony between the noun and adjective. The c and s of delicious creates slenderly of a juicy sound; as a practiced plum, being eaten, is generally slurped with each bite. In the second line, onomatopoeia is introduced with the both verbs, pout and free energy, extravagance of. Pout and push are enormous for the beginning of that second line because, following delicious, they create a new sound, yet they begin to describe wherefore its delicious. Alliteration is also introduced with these deuce words, and they are not capitalized, which creates a balance; two verbs, tetrad letters each, not capitalized, and both beginning with ps.

And then, luxury begins with an l, which begins to piece the word plum. In the tercet line, again without capitalization, self-love, and tasting murmur, Chasin completes the spelling of plum. Again, she us es alliteration with the letter s to create ! that juicy sound, self-love/ bask. Perhaps, also, murmur is used to create somewhat of a Mmm effect. In the fourth line, she creates a new alliteration broad(a) in the communicate and dropping. The fs could... If you want to get a full essay, order it on our website:
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